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From scriptwriting through to production, this introduction to animation for students surveys key technical processes and examines a variety of stylistic approaches. The book includes visual examples from key animators and illustrated features on how to create exciting animation for a variety of audiences.
799.93 --- animatiefilm --- computer-animatie --- schetsboeken --- stop motion --- storyboard --- technieken --- tekentechnieken --- animatiefilm, techniek (ook truckage) --- Animation (Cinematography) --- Animated films. --- Animation (Cinéma) --- Films d'animation. --- Animated films --- Cinematography --- Animated television programs --- Animated cartoons (Motion pictures) --- Animated videos --- Cartoons, Animated (Motion pictures) --- Motion picture cartoons --- Moving-picture cartoons --- Caricatures and cartoons --- Motion pictures --- Abstract films --- Animation cels --- Technique
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This book provides the most comprehensive history and analysis of Australian animation published to date. Spanning from the 1910s to the present day, it explores a wide range both of independent animation, and of large-scale commercial productions. Presented within a uniquely international context, it details the frequent links between Australian animation and overseas productions. New perspectives and original information are offered on a variety of international subjects such as: Felix the Cat, the Australian Hanna-Barbera studios, and the Australian Walt Disney studios. Drawing on both extensive archival research and original interviews, this book illuminates, for the first time, the breadth and richness of Australia's animation history--back cover.
Animation (Cinematography) --- Animated films --- Cinematography --- Animated television programs --- Technique --- Animated films. --- Motion pictures. --- Australasia. --- Animation. --- Australasian Cinema and TV. --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Animated cartoons (Motion pictures) --- Animated videos --- Cartoons, Animated (Motion pictures) --- Motion picture cartoons --- Moving-picture cartoons --- Caricatures and cartoons --- Motion pictures --- Abstract films --- Animation cels --- History and criticism --- Animators --- 799.91 --- animatiefilm --- animators --- geschiedenis --- Australië --- Felix de kat --- Hanna-Barbera --- Cartoon makers --- History --- animatiefilm, geschiedenis
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From early cinema to present-day scientific research, military uses, digital art and gaming, this book casts new light on the capacity of the moving image to act as a record of the world around us, challenging the orthodox definitions of documentary cinema.
Animation (Cinematography) --- Documentary films --- film --- 791.46 --- documentaire tekenfilm --- documentaire animatiefilm --- documentaire film --- documentaire --- tekenfilm --- animatie --- Animated films --- Cinematography --- Animated television programs --- Documentaries, Motion picture --- Documentary videos --- Factual films --- Motion picture documentaries --- Moving-pictures, Documentary --- Documentary mass media --- Nonfiction films --- Actualities (Motion pictures) --- Technique --- Documentary films.
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"The internationally acclaimed films Persepolis and Waltz with Bashir only hinted at the vibrant animation culture that exists within the Middle East and North Africa. In spite of censorship, oppression and war, animation studios have thrived in recent years - in Egypt, Iran, Iraq, Lebanon, Morocco, Palestine, Syria and Turkey - giving rise to a whole new generation of entrepreneurs and artists. The success of animation in the Middle East is in part a product of a changing cultural climate, which is increasingly calling for art that reflects politics. Equally, the professionalization and popularization of film festivals and the emergence of animation studios and private initiatives are the results of a growing consumer culture, in which family-friendly entertainment is big business. This book uncovers the history and politics that have defined the practice and study of animation in the Middle East, and explores the innovative visions of contemporary animators in the region."--
Animated films --- Animated cartoons (Motion pictures) --- Animated videos --- Cartoons, Animated (Motion pictures) --- Motion picture cartoons --- Moving-picture cartoons --- Caricatures and cartoons --- Motion pictures --- Abstract films --- Animation (Cinematography) --- Animation cels --- History and criticism. --- film --- animatiefilm --- animatie --- eenentwintigste eeuw --- midden-oosten --- Noord-Afrika --- 791.46
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At publication date, a free ebook version of this title will be available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. In this beautifully written and deeply researched study, Hannah Frank provides an original way to understand American animated cartoons from the Golden Age of animation (1920-1960). In the pre-digital age of the twentieth century, the making of cartoons was mechanized and standardized: thousands of drawings were inked and painted onto individual transparent celluloid sheets (called "cels") and then photographed in succession, a labor-intensive process that was divided across scores of artists and technicians. In order to see the art, labor, and technology of cel animation, Frank slows cartoons down to look frame by frame, finding hitherto unseen aspects of the animated image. What emerges is both a methodology and a highly original account of an art formed on the assembly line.
Animated films --- Motion pictures --- film --- filmtheorie --- filmgeschiedenis --- animatie --- animatiefilm --- filmanalyse --- Verenigde Staten --- twintigste eeuw --- 791.46 --- Aesthetics --- History and criticism --- Films, cinema --- Media studies --- History and criticism. --- Aesthetics. --- art formed on assembly line. --- cel animation. --- character animation. --- cinema and media studies. --- drawings inked and painted. --- golden age of animation. --- individual transparent celluloid sheets. --- making of cartoons. --- mechanized and standardized. --- original. --- photographic theory of cel animation. --- predigital age of 20th century. --- researched. --- study of american animated cartoons.
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Cartoonists and animators have given animals human characteristics for so long that audiences are now accustomed to seeing Bugs Bunny singing opera and Mickey Mouse walking his dog Pluto. The Animated Bestiary critically evaluates the depiction of animals in cartoons and animation more generally. Paul Wells argues that artists use animals to engage with issues that would be more difficult to address directly because of political, religious, or social taboos. Consequently, and principally through anthropomorphism, animation uses animals to play out a performance of gender, sex and sexuality, racial and national traits, and shifting identity, often challenging how we think about ourselves. Wells draws on a wide range of examples, from the original King Kongto Nick Park's Chicken Run to Disney cartoonsùsuch as Tarzan, The Jungle Book, and Brother Bearùto reflect on people by looking at the ways in which they respond to animals in cartoons and films.
Animaux --- Dessins animés --- Animals in motion pictures. --- Animated films --- Au cinéma. --- Histoire et critique. --- History and criticism. --- Animals in motion pictures --- 798.8 --- animatiefilm --- cartoons --- dieren --- Animals in moving-pictures --- History and criticism --- film, overige onderwerpen --- Motion pictures --- 799.91 --- Animated films - History and criticism. --- Animated films -- History and criticism. --- Animated films. --- Music, Dance, Drama & Film --- Film --- Animated cartoons (Motion pictures) --- Animated videos --- Cartoons, Animated (Motion pictures) --- Motion picture cartoons --- Moving-picture cartoons --- Caricatures and cartoons --- Abstract films --- Animation (Cinematography) --- Animation cels
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Mikado : kleuters 5 jaar : deel 1 bestaat uit 3 thema's : Beeldig museum, In de ban van Laban en Spokenfeest met Laban (schoolthema).
371.67 --- 373.5 --- kleuteronderwijs --- muzische vorming --- wereldoriëntatie --- 471.43 --- 471.46 --- schoolboeken --- didactiek --- 471.49 --- Wereldoriëntatie --- Muzische vorming --- Belangstellingscentra --- Thematisch werken --- Spoken --- Feesten --- 472.31 --- 371.67 Leerboeken. Wetenschappelijk instrumentarium. Cartografische hulpmiddelen --- Leerboeken. Wetenschappelijk instrumentarium. Cartografische hulpmiddelen --- Lager en basisonderwijs --- didactiek kleuteronderwijs - wereldoriëntatie --- didactiek kleuteronderwijs - muzikale opvoeding --- Overige onderwerpen didactiek kleuteronderw --- Schoolbooks - Didactic material --- Contains audio-visual material --- #PBIB:+111.73 --- Wereldoriëntatie ; kleuters --- Vakdidactiek : Wereldoriëntatie : Omgeving : Kleuteronderwijs --- musea --- Musea (Museumbezoek, School en museum) --- Kunst --- Kunstzinnige vorming(Beeldende vorming, esthetische opvoeding) --- Musea --- Film --- Tekenfilm(Animatiefilm) --- Muzische opvoeding --- Kleuteronderwijs --- 5-jarigen --- Basisonderwijs --- Music sound recording --- 5-jarige --- wereldoriëntatie --- Wereldoriëntatie --- Wereldoriëntatie ; kleuters --- didactiek kleuteronderwijs - wereldoriëntatie
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